FINISH TRACKS
WITH COLOUR

THE LAST PLUGIN BEFORE YOUR LIMITER

£49

£29

Instant download. Lifetime license.

£49

£29

ColourBox 2 makes your music sound finished. bigger, warmer, wider, and glued together like a professional release. It was built by Streaky, the mastering engineer behind thousands of records across two decades: three musical EQ curves voiced by ear, stereo image control, and two analog-style saturation characters on a single button. No menus, no learning curve. Turn it until it sounds like a record, because there are no wrong positions on these knobs.

HOW COLOURBOX 2
FINISHES YOUR MUSIC

The S button carries two different machines. Both are saturators, but they're different species, built for different jobs. One click cycles between them; the Intensity slider decides how far they go.

WARM

WARMHOT

Warm is a soft polynomial shaper, a very gentle curve that barely touches quiet and medium signal and only starts bending things as they get loud. It adds low-order harmonics that the ear reads as energy, excitement, "aliveness" rather than obvious distortion, and it leaves drum hits almost untouched.

Hot is a tape-style saturator, the classic smooth "tanh" curve with a slight asymmetry, which is the same basic shape analog tape and valve circuits produce. It compresses peaks a little, thickens and glues everything, and adds that warm even-harmonic richness people call "analog."

BODY

Adds weight and richness where a mix carries its heft — the low-mids. It's a broad, musical lift rather than a surgical boost, so tracks get fuller and warmer without the bass turning soft or the mix clouding over. Thin mixes gain substance; small speakers suddenly sound like bigger ones. This is the knob that makes a record feel expensive at the bottom end.

CLARITY

Opens the whole picture up. As you turn it, the mix gets cleaner and better organised — the low end tightens and locks to the centre where it punches hardest, while the top end spreads out wide and airy. The result reads as definition and space: everything sits where it should, translates to any speaker, and the highs breathe without a hint of harshness. It's the "suddenly sounds finished" knob.

FOCUS

Brings the heart of the record forward — vocals, snare, the elements living in the centre — without touching the width or smearing the stereo image. Where a normal presence boost can make things brittle and pull the sides in with it, Focus works only on the middle of the picture: the lead gets closer and more confident, the edges stay exactly where they were. Presence without the phase penalty.

HOW THE SIGNAL FLOWS